Gerald Clayton

Gerald Clayton

Gerald Clayton

New York pianist Gerald Clayton comes from a long line of Jazz musicians.  In his relatively compact career Clayton has managed to carve out a niche in the music through his playing and through the well-thought-out reasons behind the music he makes.

Clayton is in the process of producing his first album which will be released by Artists Share.

In advance of an appearance here in Central PA I asked Gerald about his music and his approach to improvising.

MFT -  On your Artist Share page you talk about your music being a balancing act.  Can you tell me what you mean by that?

GC – I say balancing act because I like to draw from all of the various musical styles that I love. If we had to describe music without using genre distinctions, we would have to refer to the emotions that the music evokes. I hope to find an honest way of expressing all of my emotions through music, which means drawing upon various types of sounds and styles. Similar to making a big stew, an artist has to use his or her judgement as to the right balance of ingredients.

MFT – I suspect that growing up in a musical family gave you a special respect for the traditions and history of this music. How do you maintain a respectful attitude without becoming a clone off that which has come before you?

GC – I remember being a kid and going to a lot of sound checks and rehearsals with my dad. I saw a whole bunch of grown men smiling and laughing, greeting each other with hugs. It was a very loving environment to be in. I think it’s the love for music that makes musicians treat each other and the history with respect. There’s no commandments that we’re forced to follow (Thou shall always respect the tradition). It’s just a natural thing to show respect to that which we love.

As for how that affects my ability to create original music- for me some days are easier than others. Some days I can easily channel a lot of creativity and originality, while other days it’s harder to get there, and I do sound like somewhat of a clone. But being a clone of the things you love isn’t so bad. As long as you play with honesty and integrity, it’s all good.
MFT – Did you move to New York solely to further your career or also for the creative vibe that exists there?

GC – I try not to think too much about furthering my career. Instead, I like to think about expanding my musical experiences. This is why I moved to New York. There are so many amazing musicians in this city, I just wanted to be able to hear them and play with them all the time.
MFT – Where do you want to be in five years?

GC – I want to keep expanding my musical and artistic experiences. There is a long list of musicians that I’d love to play with and learn from. I’m also curious to explore new possibilities- maybe fusing different types of art together ?? Whatever I’ll be doing in five years, I hope it’s what I sincerely want to be doing and I hope I’m fortunate enough to make a living by doing it.
The Gerald Clayton Trio performs for the Central PA Friends of Jazz January 25, 2009.

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